Collections
Each palette explores the aesthetic codes of a location and translates them into six refined and timeless shades.
Monterosa
This palette is a snapshot of passion. Passion for the mountains, and particularly for Monte Rosa. Six shades meant to be paired thoughtfully and gracefully, akin to the spirit of 'kalipè,' as they say in the Himalayas, encouraging exploration with a curious eye and a gentle pace.
Delta del Po
Sophisticated yet spontaneous, the colours of the Delta del Po palette capture the ever-flowing yet seemingly motionless essence of a bordering, hybrid nature, caught in the moment it merges into the sea.
Burano
Watermelon pink, purple, yellow, blue: the Burano palette is the most vibrant in the collection. An ironic patchwork occasionally veiled with nostalgia. For this unique island in the world where time has stood still.
Portofino
A reimagining of timeless classics with a contemporary twist: these are the six colours in the Portofino palette.
Costa Smeralda
Dreamy and not at all worldly, the selection of blues, pinks, and whites inspired by the Emerald Coast is a sensory hand fan open to nature.
Villa Adriana
A range of soft, neutral, and tranquil shades that encapsulate the essence of Villa Adriana. Chromatic archaeology with a contemporary twist.
Stromboli
The Stromboli palette plays with contrasts, featuring fiery reds and serene blues, making it easy to find your own balance.
Orto botanico di Palermo
Like a chromatic herbarium, the series dedicated to the Botanical Garden of Palermo is a fragrant and somewhat exotic journey, from the heart of the Mediterranean.
La scala dei Turchi
Whites, blues, and pinks echo the natural splendor of the Scala dei Turchi. If you listen closely, you can hear the blue melody.
Alberobello
Terrestrial and zenithal at the same time, Alberobello is a siesta of neutral colours. Warm and welcoming like the most authentic Apulia.
La piana degli Ulivi
A primordial palette of austere and wild nuances, capable of whispering stories as old as the rings of a tree.
